DAY 1 PRODUCTION
PACK
SINS OF THE MARTYR
Ø Schedule – 2
Ø Script - 3
Ø Props List - 8
Ø Map
- 9
Ø Storyboards - 10
SCHEDULE
08:15 – Meet at Enigma Studios and rehearse
09:15 – Depart for Ashtead station
09:29 – Take train from Ashtead to London Waterloo
10:10 – Arrive at London Waterloo
10:20 – Depart Waterloo station for Charing Cross
10:25 – Arrive at Charing Cross
10:30 – Shoot Trafalgar Square sequence
14:00 – Depart for Horse Guards Parade
14:15 – Shoot Horse Guards Parade sequences
SCRIPT
SCENE
1 – LONDON - INT. CHARING CROSS UNDERGROUND STATION
Darkness.
Train lights quickly illuminate the tunnel as the train emerges. JIM gets out of
the train, looks around then heads for the stairs. DAVIDSON steps into view.
DAVIDSON
Just got off the
train right now. We’ve arrived at Charing Cross.
He
watches as JIM crosses the walkway above, and trails him through the
underground station.
DAVIDSON (CON’T.)
I’m in pursuit.
CAPRIVI
is elsewhere, his voice coming from DAVIDSON’s earpiece.
CAPRIVI
Good. Keep
following him.
DAVIDSON
follows JIM through the tunnels beneath Trafalgar Square and makes his way up
the stairs of the subway exit.
SCENE
2 - EXT. TRAFALGAR SQUARE
JIM
is out of sight.
DAVIDSON
I’ve lost him. He’s
somewhere in the Square. Yung, do you have visual?
YUNG
is watching from the balcony in front of the National Gallery, coffee in hand.
YUNG
Yeah. (Yawns)
He’s just gone round the Column.
DAVIDSON
walks along the road at the edge of the Square.
DAVIDSON
Yes, I can see
him.
YUNG
He’s moving towards
my position. Looks like he’s carrying a case.
DAVIDSON
A case? You sure?
He didn’t have that on the train.
JIM
sets the case down on the edge of the fountain. He begins to open it.
YUNG
I can get in for
a closer look.
DAVIDSON
We have to make
sure it’s clear. Palmer?
Davidson’s
voice emerges from a fallen earpiece. A dead man is dragged away from the edge
of the roof.
DAVIDSON (CON’T.)
Palmer? Caprivi,
do we know if there’s a meeting about to place?
CAPRIVI
is walking through a darkened walkway, consuming a meaty burger. A Slender-Man
like figure follows in the shadows, albeit much shorter and browner.
CAPRIVI
I don’t know. We
can’t risk it. Tell Yung to fall back.
YUNG
We have to go
NOW.
DAVIDSON
Caprivi’s orders
are to stand down! Yung?
YUNG
FUCK IT!
Yung
rips the earpiece from his ear and casts it down into the Costa abyss.
DAVIDSON
Sir, he’s gone
dark.
CAPRIVI
You have to stop
him.
DAVIDSON
hangs up. As YUNG makes his way from the balcony and down the stairs DAVIDSON
starts moving. YUNG reaches the fountain as DAVIDSON makes a mighty leap over
the wall into the Square. ZUBASU appears behind an agitated CAPRIVI. YUNG and
JIM briefly exchange glances as DAVIDSON stops in the middle of the Square.
Pause. Everything is at a standstill. Bang. YUNG is dead. His glasses float
away.
DAVIDSON
Yung is down. I
repeat Yung is down.
Silence.
No response.
JIM shuts the
case. DAVIDSON starts moving towards JIM, but two men approach from across the
Square and lead JIM and the case away. One of them starts to follow DAVIDSON.
DAVIDSON (CON’T.)
Hello? Hello? …
God damn it.
DAVIDSON crosses
the Square and enters the toilets. The man follows him in, and, as the lift
elevates, he and DAVIDSON engage in brutal combat, culminating rather bloodily.
DAVIDSON exits the lift at the top, leaving the dead body behind him. He wipes
the blood from his knuckles and tosses the handkerchief to the floor. He walks
over to the balcony and looks down at YUNG’s body, as a local youth prods it.
RANDOM LOCAL YOUTH
You
alright, mate?
A woman (or perhaps
an effeminate man) screams at the sight of the deceased thug in the elevator,
so DAVIDSON quickly makes his escape into a nearby alley.
PROPS &
COSTUMES LIST
Ø Ear
Pieces
Ø Briefcase
Ø Cup
of Coffee
Ø Phone
x2
Ø Handkerchief
Ø Caps
x2
Ø Caprivi
hat
Ø Suit
Ø Burger
MAP
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